Night of the Living Dead Christian,
Day 3: A Review

Night of the Living Dead ChristianStory Overview (back cover copy)

What does a transformed life actually look like?

In his follow-up to the critically acclaimed Imaginary Jesus, Matt Mikalatos tackles this question in an entertaining and thought-provoking way—with MONSTERS!!! While Christians claim to experience Christ’s resurrection power, we sometimes act like werewolves who can’t control our base desires. Or zombies, experiencing a resurrection that is 90 percent shambling death and 10 percent life. Or vampires, satiating ourselves at the expense of others. But through it all we long to stop being monsters and become truly human—the way Christ intended. We just can’t seem to figure out how.

Night of the Living Dead Christian is the story of Luther, a werewolf on the run, whose inner beast has driven him dangerously close to losing everything that matters. Desperate to conquer his dark side, Luther joins forces with Matt to find someone who can help. Yet their time is running out. A powerful and mysterious man is on their trail, determined to kill the wolf at all costs . . .

By turns hilarious and heartbreaking, Night of the Living Dead Christian is a spiritual allegory that boldly explores the monstrous underpinnings of our nature and tackles head-on the question of how we can ever hope to become truly transformed.

Review

In Night of the Living Dead Christian, we have mad scientists, strange inventions, robots…and of course, the aforementioned undead. All this comes with a healthy dose of humor, not the laugh out loud sort, but an infusion of the quirky and ridiculous things we encounter in life.

On the surface, such a story may seem to have little relationship to Christianity, but in reality it reflects our need to confront and put to death the monstrous nature within–something that we can’t do in our own strength. Despite the fact that Night of the Living Dead Christian explores weaknesses in the church, it doesn’t condemn, but rather encourages reflection on what it means to truly follow Christ.

There’s a desperation that comes when we recognize our true need for transformation and our utter inability to change ourselves, and Night of the Living Dead Christian demonstrates this desperation in vivid color. It shows the monstrous nature we all battle, but it doesn’t stop there. It also explores how we find freedom from the monster within–through the process of our transformation from death to life.

As I mentioned Monday, I’m not a fan of vampires/werewolves/zombies, but I  appreciated the way Matt used these creatures to illustrate various states of faith. His blend of the undead with zany humor and Christian theology is an unusual approach, to say the least. Yet the humor and speculative elements prevent the allegorical aspect from becoming too overbearing, and the allegory provides depth to what otherwise could be a meaningless romp. It’s a unique mix that I believe will allow him to reach a wider audience than if he focused on any one element.

In addition, Matt uses some other interesting techniques, foremost the fact that he depicts himself not just as the narrator, but as a character in the story. He grows as the book progresses (perhaps in a way that parallels some real life experiences?), but his neighbor Luther, the werewolf, undergoes the most transformation. We get a glimpse of Luther’s suffering and his need to find freedom through interludes in his perspective sprinkled throughout the story.

His serious reflections provide a nice counterbalance to the humor of the rest of the story, yet the overall tone distanced me somewhat from the characters. I cared about their journeys to a point, but some sense of connection was lost in the rush of the story. Still I thought it concluded in a way true to the story and to life, with a nice nod to CS Lewis in the climactic scene, and it offered plenty of meaning to go along with its monsters.

In conjunction with the CSFF Blog Tour, I received a free copy of this book from the publisher.

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Night of the Living Dead Christian,
Day 1: Symbolism of the Undead

Christian Science Fiction and Fantasy Blog Tour, March 2012

At one time, zombies, vampires, and werewolves used to be staples of the horror genre. In more recent years, they’ve begun to turn up in paranormal romance, often as desirable love interests. But Matt Mikalatos avoids both horror and romance in Night of the Living Dead Christian, his chronicle of the undead. The result is a humorous allegorical story, what you might call monster fiction with a purpose.

The idea that mythic creatures–living or undead–can be used in a symbolic way isn’t a new one. In a Publisher’s Weekly article, Sara Wendell stated that “Paranormal stories…reflect many of humanity’s continuing struggles. Vampires represent our struggle with mortality, and werewolves and shape-shifters our struggle with rage and insanity.”

Matt Mikalatos interprets these creatures in his own way, as a reflection of people in different stages of relationship (or lack thereof) with God. He not only explores the most common undead creatures in the context of the story, but he also includes an appendix entitled Are You A Monster: A Layman’s Self-Diagnosis Guide to Common Monstrosities, which explores human weaknesses by associating different personality types with monsters.

I’ll admit, I’m not a big fan of the undead, so I might not have picked up the book if it weren’t for the blog tour. But I have to say, I’m impressed at how the author took common genre tropes and reframed them from a Christian perspective to reflect Biblical truths. It’s an interesting juxtaposition, and one that works for the most part. I’ll explore the implication of his approach more in my review on Wednesday.

I’m curious to learn the perspective of the readers of this blog and members of the blog tour. Are vampires, werewolves, and the like a turn off or an attraction to you in a book?

If you’re interested in learning more about this unique story, I encourage you to stop by the blogs of other tour members and see what they have to say:


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Through the Window

Inspiring Objects

“People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.”

–Elisabeth Kubler-Ross

Whether intricate mosaics of color, simple panes of glass, or shapes hewn from stone and open to the air, windows take on a number of forms. Like many architectural details, they  tend to be less distinctive now than in times past, but still they may take on rounded, arched, or rectangular form. They may appear as small and narrow slices in a wall or enormous sheets of glass offering an unbroken view of the world.

Of course, they’ve found their way into literature, not just as an almost universal piece of architecture, but also as a symbol. They’re often used directly as a metaphor, as in the eye is a window to the soul. They open up new perception, yet limit access. They divide inner and outer worlds, separating the two in a way that allows sight but not touch. And sometimes, they give an unexpected glimpse into the unknown.

On the Back of the North Wind by George MacDonald begins with a window, as the North Wind creates a small one into the bed of young Diamond. Through it she watches him, and then she blows through this passage she’s created, changing Diamond’s life forever. Perhaps MacDonald chose this dramatic entrance for the North Wind knowing that our word for window comes from the old Norse vindauga, meaning “wind eye.” Regardless, the fact that the North Wind passes through a window–and one she created herself, no less–rather than a door highlights the fact that she’s not bound by human rules or conventions.

In The Two Towers by JRR Tolkien, we see the appearance of another unique window. In  order to better ascertain their purpose, Faramir takes Frodo and Sam to his refuge in Ithilien, and they arrive just in time to see the sun peering through the Window of the Sunset, and the thin fall of water in front of the window turns into a jewel-toned veil. Through this window, we perceive the beauty of the West, oppressed by the shadow of Sauron, but not overtaken.

Stories of other genres also use the device of a window to convey meaning. In Louisa May Alcott’s Little Women beloved daughter and sister Beth passes on after a long illness. The next morning, light streams through her window onto her bed “like a benediction”–an implication of God’s grace even in a trying time, a grace that reaches past every boundary.

Similarly, the symbol of a window weaves its way through many a story. Like so many other everyday objects, it can convey an idea of cultural standards and values that are vital to establishing a fantasy world. Perhaps traditions surround the windows of a world, like the old European notion that one must leave the windows of a house open to allow the soul to leave upon death. Or perhaps people build houses without windows, preferring darkness to the vulnerability of a breach in their walls. The possibilities are endless.

So enjoy the inspiration of these real world windows:

Open Window

Image credit: sally_monster

Castle Window

Image credit: themindofmadness

Arched window

Image credit: mmatins

Large window

Image credit: Geert Reizema

Are there any examples you would like to share from books you have read or your own works? Would you like to see this series of inspiring objects continue?

On Inspiring Objects: For a writer, even the smallest thing can provide a spark of inspiration and serve a catalyst for creativity. The objects I feature are usually items that give a glimpse into another way of life, thus enlivening the imagination to run on a course of its own. When building a world, even the smallest of details can reveal much regarding a culture and society, so I hope you find some inspiration here to go forth and create. And if you don’t write, I hope you can still enjoy the beauty and uniqueness of these objects shared.

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Introducing Non-Fantasy Readers
to Speculative Fiction

As a life-long reader of fantasy, most of the genre conventions seem normal to me. Strange names, new languages, different rules of reality, the period of orientation to a fantastic realm–none of these things make me think twice. The “weird” seems conventional.

But as I’ve talked to those who don’t read speculative fiction, I’ve realized that on the surface these aspects can seem intimidating or too strange, certainly not like something they would enjoy. Add these trappings of the genre to certain cultural notions (like fantasy is escapist or only for children/teens), and a number of people determine to avoid it without ever giving it a try.

Yet I’ve come to realize that many non-fantasy readers enjoy the genre–if properly introduced to it. These tales connect with things deep in the human heart–the yearning for something greater, for something beyond the world we see with our natural eyes. And most people can relate to these desires in some form.

Of course, not everyone will enjoy speculative fiction, no matter which type they try, but most times when I suggest a speculative title to those who normally don’t read in this genre, they’re pleasantly surprised.

Given my experiences, I think word-of-mouth recommendations that interest people in stepping beyond their normal genre selections could help fantasy grow in the Christian market. So I’ve made it a bit of a mission to connect non-fantasy readers with speculative books they will enjoy. Perhaps they might find a fairy-tale type story more accessible than an epic fantasy with countless new names and places. Or they might enjoy a suspense touched with speculative. And so the reading journey begins.

What about you? Have you tried to recommend books to your friends/family who don’t normally read speculative fiction?

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Smith of Wootton Major:
A Beauty that Haunts

“The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords.”

Tolkien, “On Fairy Stories”

This sums up much of what finds expression in Smith of Wootton Major, one of Tolkien’s short stories. Whenever I think of the tale, I’m touched by the sense of haunting beauty that permeates it, a beauty joyous and a bit sad all at once. Many layers of meaning run through the story, but one of the elements I love most is how the realm of Faery opens to Smith, an unexpected gift he’s been chosen to receive.

As a young boy, Smith attends the Feast of Good Children, and in his slice of the Great Cake, he receives a fay-star, which he unknowingly swallows. His life continues unchanged until his tenth birthday, and upon that day, a star appears on his brow. This star allows him to travel in the land of Faery, and as he explores this wondrous realm, the beauty he sees begins to transform him–his face and his voice reflect his experience in the “other” world.

For twenty-four years, he experiences the joys, the sorrows, the perils, and the splendors of Faery, and what he finds there transforms every area of his life. And then the time comes for another Feast of Good Children, and he knows he must pass on the gift he received and open the Faery realm to another.

Yet the beauty he perceived there will haunt him for the rest of his life, even after he gives the star to the next child. He has been forever changed. In this way, the tale of Smith of Wootton Major shares strong parallels with our journeys of faith. Unlike Smith, we don’t physically wander in eternal realms–not yet–but our hearts are awakened with joy and pierced by beauty. And we’re able to perceive the little echoes of eternity found in tales like these.

Have you read Smith of Wootton Major or other fantasy stories that stand out for the sense of beauty and wonder they convey?

Image credit: taketo-take-to-stock

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Inspiration from Sleep

When I was in college, one of my professors shared a story about Benjamin Franklin. It seems that Franklin observed that his times of heightened creativity and problem-solving occurred when he was close to sleep or in the stage between sleeping and waking (considered by many the first stage of sleep). Yet if he fell fully asleep, he would often forget the ideas that came to him during the in-between stage.

So he began to take “naps” in a chair. He filled his hand with marbles and let it dangle over the arm of the chair, while beneath his hand waited a tin pail. Whenever he drifted toward sleep, his hand would slacken and the marbles drop into the pail. He would then jot down the ideas  floating through his mind–and certainly his creativity led to many useful inventions through the years.

Whether or not the story related by my professor is fact, scientists have observed that brain activity during the time between sleeping and waking often resemble the patterns that occur during periods of heightened creativity. Many other links between sleep, dreams, and creativity have been noted, but have yet to be fully explored.

I’ve noticed the tendency to have ideas when hovering on the border of sleep or when waking from a dream in the night. To take advantage of it, I keep a notepad and lighted pen next to my bed. Of course, many other things increase creativity, but it’s wise to make the most of any burst of inspiration, however it comes.

Do you have “creative times” where inspiration seems to flow more freely?

Image credit: spettacolopuro

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Does Christianity Stifle the Imagination?

Through the years, speculative writers have created fantastic tales. At the hands of these storytellers, gleaming threads of imagination are woven together to craft visions that engage and inspire. And yet, the greatest speculations and imaginings of mankind, fashioned into stories that reflect truth and stir wonder, pale in comparison to the things crafted by our Maker.

Scripture describes strange and spectacular things beyond the ken of mankind, yet they are utterly true.

We follow the God who created the Leviathan to frolic in the deep, the one who sent Nebuchadnezzar to live with and act like the beasts of the field in order to deal with the arrogance of his heart, the one who suspended Ezekiel between heaven and earth by his hair to reveal mysteries to him. These things don’t fit with our accounting–they demonstrate just how much God is “other” than us, and how many mysteries of His nature He’s left for us to discover.

We’re honored that He has revealed Truth about His nature and His character in His Word, but at the same time, greater glories and wonders exist in Him than our minds have yet conceived. We have the privilege of being amazed through eternity at the wonders He created–of who He is–unfathomable things into which He permits us to look.

So when I hear the suggestion that writing speculative fiction from a Christian perspective confines the imagination, I must dismiss it. We’re created in the image of a God of endless wonders, and we only have to look at the Truth He has revealed to recognize just how wide a scope for the imagination He has given us.

The Christian Imagination expressed this well:

If the Bible is the Christian writer’s artistic model, then clearly the subject matter of literature is virtually unlimited. History, the supernatural, ordinary human life, the beautiful, the grotesque, redemption and damnation, the moral, the immoral, the earthly and the cosmic, the triumphant and the tragic–all suggest material infinitely pregnant with possibility to pursue the truths of God and the human condition.

Far from being limited, we have countless ways to explore truth and the freedom of opportunity to capture and reflect glimmers of light from above in the form of speculative fiction.

Your thoughts?

Image credit: Tor Kristian

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On Writing Contests

This year, I’m volunteering as the speculative fiction category coordinator for the ACFW Genesis contest, and I’ve enjoyed participating in something I know benefits fellow writers of speculative fiction.

Today all entries had to go out to judges, so I’ve spent most of the day in a flurry of processing entries, reviewing spreadsheets, and sending out emails.

As I worked on various aspects of contest preparation, I began wondering about your experiences with writing contests.

So, those of you who write, have you ever entered or judged a writing contest? How was the experience?

And if you’ve never entered a contest, would you consider it in the future?

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What Makes a Scene Memorable?

Glowing wordsAmid the hundreds of books I’ve read over the years, certain scenes and passages linger in my memory. With little prompting I can bring them to recall, with all their attendant emotions–no matter how long it’s been since I read the book in question.

Of course the masters (Tolkien and Lewis) do this well, and they have many outstanding passages in their books. There’s the thrilling conclusion to The Last Battle, when all true Narnians arrive in Aslan’s country and explore unending marvels with the cry of “further up and further in.” Or the wonder of Lucy when she first steps through the wardrobe or the awe the children experience as they first encounter Aslan.

And what of the scene in Lord of the Rings that follows the destruction of the One Ring, when Frodo and Sam pass from seeming death to life? In this glorious life reborn they celebrate with joy, as Tolkien describes:

“And all the host laughed and wept, and in the midst of their merriment and tears the clear voice of the minstrel rose like silver and gold, and all men were hushed. And he sang to them, now in the elven-tongue, now in the speech of the West until their hearts, wounded with sweet words, overflowed, and their joy was like swords, and they passed in thought out to regions where pain and delight flow together and tears are the very wine of blessedness.”

Yet many besides the masters crafts scenes that take up residence in memory. In Monster in the Hollows, the concluding passage demonstrated the power of familial love and self-sacrifice in a way that engaged my emotions and will remain ever vivid in my mind.

And for very different reasons, Raven’s Ladder engaged me when storyteller Krawg shares a tale that he himself understands little, a recounting of the saga of the maker and the tricksters, and when this saga comes to fruition in The Ale Boy’s Feast with a grand display of otherwordly beauty.

What stands out about all these (and many others) has little to do with the style in which they’re written. It’s the meaning it conveys and the strong emotions it evokes, even years later, that makes a scene memorable. And passages of this sort, woven throughout a book, make for enduring fiction.

Are there scenes and passages that have resonated with you and remained favorites over time?

Image credit: morana-stock

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Mythic Creature: The Alphyn

Name: Alphyn or Alpheyn

Appearance: A stocky creature, the alpyhn blends characteristics of lions and wolves with unique features of its own, its long, knotted tail perhaps the most distinctive. Most often, the tail was twisted into three knots, giving it a Celtic appearance. The alphyn’s white coloration, brightened by golden tufts and foreclaws, would have given it a regal appearance if the tufts didn’t stick out all over the body, with little rhyme or reason. The tufts combined with a long, pointed tongue often depicted hanging from its mouth gave the alphyn a quirky look. Depending on the artist’s depiction, it might have eagle, dragon, or goat forelegs, and sometimes it bore the scales of a dragon coat its chest and belly.

Unique qualities and traits: Some tales suggested that the alphyn could breathe fire, perhaps due to the dragon-like chest and forepaws. It seems also to have a reputation of fierceness which allowed for its use on banners of war, but like the origin, what exactly it symbolized remains vague. Strangely enough, the alphyn appeared in medieval chess sets in place of the bishop figure. These alphyn were described as judges, which could imply that imputing justice was one of the alphyn’s traits.

Quick facts:

  • The name alphyn comes from Germanic origin, meaning “chaser” or “wolf.”
  • Though invented for heraldic purposes, it remained obscure and rarely used, save as a chess piece.

Sources from myth and legend: The alphyn sprang into being during the medieval era, a time when many blended creatures first appeared in heraldry. Unlike many mythic creatures, the alphyn was apparently designed purely for heraldic purposes, but the exact origin remains unknown. It appears a bit like cross between a heraldic tiger and a griffin, suggesting they may have played a role in its conception.

A Lord de la Warr first incorporated the alphyn in his heraldic badges, but how he came to invent or borrow such a creature remains a mystery. As befitting its origin, the alphyn appears in many directories of heraldry and books exploring coats of arms, but typically not in medieval-era bestiaries.

Overview: Sometimes mythic creatures used in heraldry were based on figures believed to exist, other times they appear to have been invented solely to convey some sort of symbolic impression by blending characteristics of different real-world animals. The alphyn appears to fall into this category, a figure of strength that could hold its own in battle or sit in judgment over enemies.

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