The Meek Shall Inherit the Earth

“Glances of true beauty can be seen in the faces of those who live in true meekness.”
Henry David Thoreau

Lately I’ve been spending time reading and studying the Beatitudes, and as a result I’ve been contemplating the character quality of meekness. Of all the traits described in the Beatitudes, I find meekness the most difficult to view in a positive light, largely because what first comes to mind when I think of meekness is a bland, colorless, Elsie Dinsmore type individual or a person who sits passively by and watches while injustice takes place.

Of course, from a Scriptural perspective I knew these weren’t examples of true meekness, so I set myself to disengage with the cultural views of the matter and connect with God’s views, immersing myself in verses about how God esteems and blesses meekness…and what it truly looks like.

And because I often think of things in terms of story, I began to consider the general lack of meek characters cast in heroic roles in fantasy. Not many came to mind, but the ones that did leapt from the pages of Lord of the Rings. There we have Samwise Gamgee, a hobbit who served in humility, never pushing himself to the forefront, never demanding praise or attention, and always ready to others first–yet bold and courageous when defending those he loved. Without him, the whole of Middle Earth would have fallen under Sauron’s sway.

Then we have Aragorn, who displayed a different sort of meekness, in that he served in obscurity for many years, never demanding or expecting credit for his actions. Even when the opportunity came for him to take up his rightful mantle as king, he acted in deference, refusing to lord it over the people he would rule. He wielded great power and authority in a humble and unassuming way–and it’s one of the things that made his character so compelling.

Though meek characters don’t abound in fiction, stories gain depth when they include individuals displaying true, Biblical meekness. Such characters are beautiful in literature, and even more beautiful in life, and they provide reminders of the worth of cultivating meekness in our own hearts, a quality that God greatly esteems.

I’d love to hear your thoughts on meekness in life, literature, or both!

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Imagination and Our Views of God

Yesterday, I browsed the online sample pages of a book entitled The Christian Imagination: The Practice of Faith in Literature and Writing, and the thought provoking nature of the contents intrigued me, particularly this passage on the subject of imagination:

“We need to challenge this marginalization of what is perhaps the most vital of our faculties. It must be reattached to the realm of ethics, of truth, of love. All Christians should include the imagination in their examinations of conscience. Its health is vital to the soul’s health.

“Are we using responsibly our own imaginative faculty, or have we let ourselves be hijacked by the cliches and propaganda with which we are continually bombarded? … Is our image of “the state of the world” and our role in it in any way shaped by the fact we are Christians? What fundamental grid do we work from as we project meaning on bare “facts” to navigate our lives. Does our world fundamentally taste sour? Do we look at it through rose tinted glasses? Or is it the bare stage of our unexpected encounters with the mystery of God? Nothing reveals more forcefully one’s true view of God than the quality of one’s imaginings.”

I’m inclined to agree with much of what’s expressed here, but I’d love to hear your thoughts. Do you agree that our imaginings reveal our views of God? And is the health of our imagination an indicator of the health of our souls?

Image credit: NASA

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Fantasy and Lapses of Logic

As a genre, fantasy requires a certain degree of creativity. It relies on freedom of imagination, which results in the construction of wondrous realms, full of terrors and delights. And yet the application of reason and logic plays a vital role in this creative process, for the lack of it will result in worlds that ring false to readers.

This struck me anew when I read a fantasy novel in which the society was agrarian, yet placed high esteem on academics and book work, with the result that  farmers would leave their land, no matter the season, for the chance of academic advancement. I’m sure a reason for this could have been invented, but rather than attempt to create a framework in which these conflicting elements made sense, it was treated as normal that these men would abandon their responsibilities–the demands of planting and harvest and tending crops–for the opportunity to sit under a teacher whenever he happened to be in the area. As a result, I was reminded of the fictional nature of the world, and there was a break in the fictive dream.

In such a way, elements of worldbuilding that seem implausible tend to cause a momentary break in the “suspension of unbelief” and can eventually derail a story, if accumulated in sufficient number.

Especially in fantasy, it’s vital to have an sense of internal consistency and to blend rational thought with imagination. As artist Francisco Goya once said, “Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels.”

I think every writer hopes to give visions of marvels that intrigue and inspire, rather than impossible monsters that distract from their stories. To craft the most compelling storyworlds, we need imagination and reason both. There’s a time for the heady rush of creativity, and there’s a time to objectively evaluate the words and realms created.

What do you think? Have you encountered “impossible monsters” in books you’ve read? Do these lapses in logic cause you to set aside a book or will you tolerate them for the sake of the story? And if you write, how do you avoid internal inconsistencies in your worldbuilding?

Image credit: mrlins

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Up the Stairs

Inspiring Objects

Stairs fly as straight as hawks;
Or else in spirals, curve out of curve, pausing
At a ledge to poise their wings before relaunching.
— Flight of Stairs, A.S.J. Tessimond

Grand old homes have the most stunning of staircases, magnificent arches rising from one floor to the next, carved and ornamented like works of art. They serve a practical function of course, but I’m more intrigued by the other roles these flights of steps play. Consider, for example, a king seated on a dais above the rest of the room. He towers over the heads of his subjects, and all must ascent the stairs to access him. His elevation demands respect.

Just as readily as they lead up, so stairs plunge down, an ascent into the heavens or a descent into hell or maybe stuck in the middle. As AA Milne observed in his poem Halfway There, when stopped between two floors in the middle of the stairs, you’re neither here nor there, so this place in between may convey a sense of ambiguity or ambivalence. A symbol of uncertainty and change, travel and transition, of being exalted or cast low, there’s much that intrigues about the figurative role of stairways. And there’s something wonderfully inspiring to the imagination about finding stairs in unexpected places. Carved into the edge of a cliff, perchance, or burrowing down deep into the earth. Mayhap they traverse up a grassy hill or stand alone in the middle of a vast plain, seemingly leading nowhere. In these sorts of settings, the ordinary can be come extraordinary, enticing curious souls to adventure.

Not only in poetry do unusual staircases make an appearance, but also in fantastic literature. Think of the terrible stairs of Cirith Ungol, that seem to sum up in their existence the dreadful, unending weariness of the journey taken by Frodo and Sam, with danger behind and before. And what of the countless stories that have the protagonist running up or down unending flights of steps with a villain hot on their heels? So much the more sympathy we feel, for if only they can reach the end without being caught, surely they will have transitioned to a place where escape will become possible.

Of course, stairs are foremost practical part of architecture that communicates something about society, yet even that has room for variance. Perhaps a certain people group keeps their homes to one level only, because they consider stairs uncouth. Or perhaps the poor of a culture must only use ladders, never stairs, which are reserved for the wealthy. Stairs may take a focal point in the design of a home or fade into the background. They may be cunningly designed for defense, as in the castles of old, or meant as artistry to be admired and little used. Who knows? Only your imagination limits their role, and I hope it will be inspired by the images here.

Image credit: nacaseven

Image credit: seansbizz

Image credit: doctorger

Image credit:  Kate McKenna

Image credit: benipop

Have you ever been struck by the magnificence or uniqueness of a staircase? Do stairs play any role in your stories or in books you’ve enjoyed?

On Inspiring Objects: For a writer, even the smallest thing can provide a spark of inspiration and serve a catalyst for creativity. The objects I feature are usually items that give a glimpse into another way of life, thus enlivening the imagination to run on a course of its own. When building a world, even the smallest of details can reveal much regarding a culture and society, so I hope you find some inspiration here to go forth and create. And if you don’t write, I hope you can still enjoy the beauty and uniqueness of these objects shared.

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Dr. Who and The Search for Significance

Over the last few months, I’ve begun to watch Dr. Who (after hearing so many speculative reader and writer friends heartily endorse it), and with interest I’ve observed various themes develop as the series has unfolded. In the first season, one of the things which stood out most to me was the clear demonstration of the human yearning for significance and meaning, for something more than the mundane tasks of everyday life.

In the final episode of that season, Rose Tyler, unwillingly sent home while the Doctor is facing his death, demands to know what she should do, how she can return to everyday life while matters impacting the universe are occurring around her. She can’t because she’s seen a better way of living life and the value of even one person who will make a stand for what’s right.

Her words bleed with the desire for something greater, the desire to make a difference, to have an impact on her world. Yet ultimately the show provides little satisfaction for this longing, even for the characters that inhabit it. The Doctor can’t take everyone exploring the far reaches of the universe. He can’t demonstrate to everyone the wider world out there, and the place they have within it. Only a select few, Rose among them, have their lives changed, and their horizons broadened by their adventures with him. Though those that interact with the Doctor are changed, he’s far from an omnipresent being. Of the alien race of Time Lords, yes, but still only able to personally impact a small number of lives.

So Dr. Who demonstrates the human yearning for significance and meaning in life, yet it doesn’t provide the means to satisfy it and doesn’t show the reason that longing exists in mankind. Indeed, the show leaves little room for a Creator. Yet it still accomplishes a purpose, for we must feel a desire in order to long for and seek its fulfillment. As does much of speculative fiction, Dr. Who not only unfolds an intriguing tale, it also has the potential to rouse people from the slumber of the ordinary and ignite that spark of desire in the human soul for another world–a desire which may find perfect fulfillment in God. For Scripture says, “he who seeks finds; and to him who knocks, the door will be opened.” First comes the desire, the hunger, the seeking…and then the fulfillment.

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Christian Fantasy News and Releases, January 2012

I hope you all enjoyed a lovely holiday season. As we enter the new year, there are a few new Christian fantasy releases I’d like to share, including what sounds like a fun steampunk title. Please feel free to highlight any others you’re aware of in the comments. Happy reading!

Alienation
by Jon Lewis

The C.H.A.O.S. series is a cyber-tech retelling of the story of David. Alienation parallels Saul’s attempts on David’s life, the tension Jonathan faces between his father and his best friend, and the joining of the Mighty Men.

In this sequel to Invasion, Colt McAllister finds himself training at the secret Central Headquarters Against the Occult and Supernatural academy with his best friends Oz and Danielle. Strange accidents seem to be following Colt, even with the security of the academy, and what seems to be random soon turns deadly . . . is someone targeting Colt? When the new recruits are forced to join the fight, Colt learns startling revelations about himself, his friendship with Oz, and why he was chosen to defeat the aliens attacking earth.

Her Own Devices
By Shelley Adina

If you like steampunk stories by Cherie Priest and Gail Carriger, you’ll love Her Own Devices, the sequel to Shelley Adina’s bestselling Lady of Devices.

Escaped lunatics, lost children, vengeful lords, and love. Really, the situation is becoming quite impossible.

Seventeen-year-old Lady Claire Trevelyan, left alone after the Arabian Bubble financial disaster claims home and family, now leads the cleverest gang in the London underworld. Between outwitting a rival gang, inventing a device that will net her and her scientist employer worldwide fame, and keeping her mother from marrying her off, she can almost forget that a powerful lord wants to get closer…and if he succeeds, can destroy it all with a single word…

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Which Fairy Tale Is Your Favorite?

Most of us grew up exposed to fairy tales, at least to some degree. My childhood experience with these fanciful stories came less from Disney, and more from lovely volumes filled with a variety of fairy stories. Of course, I developed some decided preferences, and my favorite fairy tale of all time–Beauty and the Beast–hasn’t changed over the years. So I began to wonder about the favorite tales of others, and from my curiosity sprang this poll. Vote for your favorite tale and, if you wish, leave the reason it’s your favorite in the comments.

And speaking of fairy tales, I’ve done two in-depth fairy tale series, exploring origins, variants, modern interpretations, and so forth, one for Beauty and the Beast (Part 1, Part 2, Part 3, Part 4) and one for Rapunzel (Part 1, Part 2, Part 3, Part 4). Would any of you be interested in another series of fairy tale blog posts? If so, which tale would you like to see explored?

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Thoughts on the Upcoming Hobbit Film

Over the holidays, I watched The Hobbit trailer, and it sparked a host of miscellaneous thoughts, foremost that I hope they use the time gained by splitting the book into two films to more fully explore the tale Tolkien told, not to add story devices of their own making. All that aside, I liked the tone of the preview–the ancient map, the earthy song of the dwarves, the glimpses at situations which will birth the story told in Lord of the Rings–and I’m feeling more anticipation than I previously did.

Though it’s impossible to tell without seeing the entire film, it appears that Martin Freeman will make an excellent Bilbo. I enjoyed his acting skills in the BBC Sherlock series, and I have a good feeling about his role in the Hobbit. The dwarves only make cameo appearances in the preview, but they look appropriately dwarvish, and I hope they’ll stay true to character. In fact, although I mentioned my hope that they’ll avoid substantial plot deviations, I’m more concerned about the depiction of the characters, as they changed several of my favorites drastically in the adaptation of Lord of the Rings. When I watch a film, I want to feel that familiar characters have come to life, not that I’m viewing the actions of a stranger.

But then, I’m extremely picky when it comes to movie adaptations of books, perhaps more so than most people. What did you think of this first glimpse at the film? Are you more excited about the movie or less?

If by some chance you haven’t seen the preview, you can view it here (click through if you’re reading this post via RSS or email):

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The Celebration of Emmanuel

As Christmas has approached this year, not only have I been mindful of the coming of Emmanuel, but why He chose to come and dwell with us. We celebrate the birth of Jesus at Christmas, and the Resurrection at Easter, but the two cannot be separated, because He came to redeem us. He intended to offer this costly sacrifice before the foundation of the world itself.

So as we marvel at the wonder of God with us, clothed in frail human flesh, let us also celebrate with awe the redemption which He purposed to pay. What greater reason do we have to rejoice?

I hope you all have a wonderful holiday.

Merry Christmas!



Image credit: Kris69

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On the Invention of Fantasy Holidays

As I discussed Monday, most likely your story will dictate the degree to which you develop holidays for your world. Yet once you reach the point where you must create some festivities for your fantasy lands, it’s worth considering the source of the various holidays celebrated in our world, in order to infuse these fictitious events with a sense of realism. Here are a few:

  1. Religious beliefs. The word holiday springs from the Old English haligdæg meaning “holy day or Sabbath.” When considering holidays for your fantasy world, it’s important to remember that many of the holidays we recognize spring from religious practices–not only the ones we observe now, like Christmas or Easter, but more antiquated celebrations like Michaelmas. Much can be told of the nature of a religion through the holidays they celebrate, so this can be useful for revealing the underlying belief systems of your world as well as providing a cause for celebration.
  2. Significant events and people. For countless years, cultures have celebrated important events in their history or noteworthy people by holding holidays in their honor. In the United States, Memorial Day and Martin Luther King Day would be a good examples, but these sorts of remembrances have occurred through much of history.
  3. Changes in the natural world. Seasonal changes and milestones, solar and lunar cycles, and similar events have sparked feasts and celebrations for thousands of years.  The Chinese Mid-Autumn festival, observed close to the autumnal equinox has a host of traditions accompanying it including matchmaking, the lighting of lanterns, the consumption of traditional foods, and so forth. Then of course, we have the celebration of Midsummer’s eve, which coincided with the summer solstice, or the medieval feast of Lammas, which celebrated the wheat harvest. This is a perfect opportunity to highlight some of the unique ways your world functions and reveal tidbits about seasons, calendars, and so forth.
  4. Meaningful relationships. These holidays celebrate significant relationships in our lives. Though it didn’t originate as such, in the Middle Ages, St. Valentine’s Day became a celebration of romantic love and relationships. And of course we now celebrate Father’s Day and Mother’s Day to honor our parents. For a fantasy world, celebrations sparked by relational bonds may give insight on what relationships are viewed as important–and even into family ties and structures.

Have you drawn from any of these sources when creating holidays for your fantasy world? Do you have any helpful tips to share?

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